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neck deep by ander monson

novels in three lines
by félix fénéon

If you like weird little books no one knows about that you can read aloud to your friends, put this at the top of your list. Fénéon was an anarchist, editor, and all-around dandy. He discovered Seurat, translated Rimbaud, and was the first French publisher of James Joyce. But in 1906, his day job consisted of writing anonymous two-or-three-line news items for the French newspaper, Le Matin.

Reporting mostly unfortunate circumstances of the tabloid variety, Fénéon crafted these stories-in-miniature with a dry sense of humor that comments at once upon the horror of the facts and the awkwardness of our fascination. Translated into English for the first time, the more than a thousand notices compiled here read like train-wrecked haiku, tragedies distilled with a ruthless smirk.
{208 pages}  {nyrb}  {2008}   

here is new york by e.b. white

music for chameleons ~ by truman capote, 1980

If you were not lucky enough to have drunk and dished with Truman Capote, (or unlucky, depending on how many drinks and on just how incriminating your behavior was), here's what you missed. The grand master of storytelling in portraiture is at his very best in this collection. Deftly laced with just enough fiction and fancy to make the truth of these true stories emerge, and crafted with Capote's trademark, pitch-perfect ear for dialogue, these are addictively delicious, dramatic, and tender non-fiction tales.

In the same way that a photograph is not the actual person at all, but renders in its fantasy of light and shadow and time the ephemeral essence that glitters with everything you cannot see, Capote crafts his conversational vignettes. Also included is Handcarved Coffins: A Nonfiction Account of an American Crime, one of the most haunting true-crime stories you will ever read -- and surely never forget. This is a particularly engrossing collection, that works both in pieces and as a whole. You will probably find yourself staying up reading all night or in the bathtub too long. If you're restless, don't know what to read next, and nothing sounds right, this is a surefire cure.

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{262 pages} {paperback} {Vintage Books}

neck deep by ander monson

neck deep, and other predicaments
by ander monson

Warning: Monson's writing may inspire jumping up and down, bursts of laughter, reading aloud, sweet sighs, and flailing of arms. Whether writing about snow, teeth, car washes, or Mrs. Miller, Monson is both startlingly smart and heartbreakingly tender. You'll be smarter, and happier, for having read these.

{191 pages}  {Graywolf Press}  {2007}   

at large and at small by anne fadiman at large and at small ~ by anne fadiman

At Large and At Small marks a return to the lost art of the "familiar essay", one that mixes the intellectual with the personal, and a passion for the minutiae with a curiosity about the bigger picture. Delightfully tangential, Anne Fadiman begins one essay with an adoring portrait of her father's obsession with the daily mail, and digresses seamlessly into a history of the modern postal system, the origins of the postage stamp, and the current state of our electronic correspondence.
Whether writing about ice cream, butterfly collecting, Charles Lamb, artic exploration, or coffee, Fadiman is utterly delightful, witty, and curious, and she's such a stellar writer, if she wrote an essay about pencil shavings you'd read it aloud to all your friends. Fun enough for the beach, sweet enough for bedtime reading, and intellectually stimulating enough for serious readers.
{240 pages}   {Farrar, Straus & Giroux}   {2007}

animal, vegetable, miracle by barbara kingsolver animal, vegetable, miracle ~ by barbara kingsolver

Beloved writer Barbara Kingsolver and her family decide to pack it up, move to their farm in Southern Appalachia, and for an entire year eat only food grown in their garden, or on local farms by people they know. But instead of a sweet, idyllic farming journal, this is a powerful treatise on the impact of agribusiness and our global food trade on the environment and our families, and an impassioned argument for a eating locally.
Because it's Barbara Kingsolver writing, Animal, Vegetable, Miracle is also beautifully written, hilarious, and moving. She reveals the treasures she finds in eating seasonally, cooking with her family, and farming, while simultaneously providing a thoroughly researched investigation into current food production practices. And while the picture of the facts she paints is grim, Kingsolver also offers a gorgeous, living portrait of possibility and change. She makes it clear that you don't have to be a farmer or make your own cheese to effect change in your life and in the world. Not in a very long time has a book so radically and permanently altered my way of thinking and affected the choices I make every day, and also been such a joy to read.
{384 pages}   {HarperCollins}   {2007}

sex, drugs, and cocoa puffs by chuck klosterman sex, drugs, and cocoa puffs* ~ by chuck klosterman, 2003
* a low culture manifesto


There is a certain something that happens to me when I read relentlessly brilliant nonfiction. I want to marry it. Rather, I would like to marry Dave Hickey, marry Dave Eggers, marry Chuck Klosterman. Does this say more about me than these writers? Yes, I am the type of girl who is more inclined to pin up Dave Hickey's essay, At Home in the Neon over her bed, rather than whatever else one would usually pin up. But there is some writing that is intellectually sexy in a take-it-home-and-make-it-breakfast type of way. That said, Chuck Klosterman is my new dream-husband.
If Lester Bangs and Joan Didion had a child, it would write just like Chuck Klosterman. Sex, Drugs, and Cocoa Puffs is startlingly observant, obsessive, and hilarious. While it lacks Dave Hickey's tenderness, it matches Joan Didion's razor-sharp assessments of the times. The White Album for the new millennium? Well, not quite. But whether he's pulling apart The Sims, cover bands, soccer, or Lloyd Dobler's single-handed destruction of modern love, Klosterman seduces you with a fast-talking examination of some of our lowest cultural phenomena that's so sexy you'll be down on one knee in no time. Because while Chuck may be unable to commit, his writing will undoubtedly see you through sickness and health, till death do you part.

-Lucía Silva   read excerpt  return to top
{238 pages}  {paperback}  {Scribner}   

here is new york by e.b. white

here is new york ~ by e.b. white, 1949

In the summer of 1949, E.B. White wrote a "poem" for the city that is in itself a poem. A city brimming with overwhelming sensation, indecipherable messages, inescapable metaphor, unbearable significance, conspicuous symbolism, fantastic truths, and multiple meanings all too large to be wrestled to the ground and pinned down. But White, as both native and observer, draws his pen pristinely through the baroque excess of the city illuminating its grandest, most glowing, indestructible, volatile, and vulnerable qualities. I call E.B. White's essay a poem only because it does what great poems usually do best. It points gracefully but surely, guiding the reader to look here, or there, and see what is found as the details are drawn into the towering subjects, the tiny parts indicating the greatest truths of the whole.

And though the very hotel from which E.B. White sipped a drink and recorded the sunset falling on the bricks has disappeared, the resonance of his exalting portrait is even greater over fifty years later. What was a portrait of a city on the dawn of greatness, shape-shifting even more than it has recently (in creation, not destruction), is now hauntingly pertinent, its passages alluding to the terrifying vulnerability of its concentrated significance read as terribly obvious foreshadowing for what has become recent history.

Reading Here is New York feels breathlessly triumphant, the kind of thrill that comes from witnessing that rare occasion of writing born of true inspiration and passion translated through flawless craft - witnessing that moment when someone got it, and put down in words what you thought was impossible to capture.
-Lucía Silva  read excerpts  return to top

{56 pages} {hardcover} (5.25 x 7.5 inches} {The Little Bookroom} 

don't let's go to the dog's tonight by alexandra fuller

don't let's go to the dogs tonight ~ by Alexandra Fuller, 2002

Spanning the years leading up to the end of the Rhodesian civil war, and a decade after, Don't Let's Go to the Dogs Tonight draws a landscape scarred with the indelible marks of a country and a family running deep with blood both drawn and shed, the story of a soul and a country, inseparable. An unapologetic, wide-open-eyed memoir, it's neither a story of privilege, nor a treatise on racism, but rather the story of one family as difficult as the physical and political terrain they both battled and loved.

I thought about this book for weeks after I finished it. I still think about it. And more and more it becomes clear to me how it's both a love song for Africa, and a love song for a family - maybe about civil war and alcoholism, unrelenting deserts and impossible jungles, but more so about the love we have for the things that define us even as they threaten to destroy us. Fuller balances brutality and beauty in a memoir that is neither sentimental nor dramatic, but rather unromaniticized and unflinching. It's a rare balance in a memoir, one that allows for a story, rather than a voyeuristic view of a train wreck - and the pleasure in reading it lies not in its revelation of secrets but in the hard facts palpably, and lusciously set into a memorable, rhythmic landscape of words.

-Lucía Silva     read excerpts   return to top

{315 pages}  {paperback} {Random House}

ex libris by anne fadiman

ex libris ~ by anne fadiman

Before you dismiss this as another book "for the booklover" or "for the bookworm", or one that could be accompanied by a silver bookmark with engraved cats, let me finish. It's not just for people wearing t-shirts that say "a book is a gift you can open again and again". It's about you. You who have read all your life and accumulated books faster than dust, who reads cereal boxes at breakfast and the shampoo bottle in the shower, who proofreads menus and signs. You who maybe religiously folds down the corners of pages (agghhh - no!) or considers such practices horrifying (as you well should!).

Ex Libris is all about the particularities developed during a life-long love affair with books - peculiarities you will no doubt recognize if you know your stuff. Whether writing about marrying libraries, inscriptions on a flyleaf, or building castles out of books, Anne Fadiman reveals a wit and style that's honest, unaffected, and irresistible.

- Lucía Silva   return to top

{162 pages}  {paperback}  {Farrar, Straus and Giroux} 

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